For the past few years, I’ve had to manually update the contact information in the header of every Scrivener project I’ve created. It was defaulting to an old email and physical address, but somehow had the correct phone number.
Scrivener can pull your contact information from the OS X application Contacts, if you add the string “(Scrivener:UseMe)” to the notes of your contact card. As it turns out, I had done that already but my card has all of my email addresses (work and home) as well as my current and past physical addresses.
There’s have been many kerfluffles involving the Science Fiction & Fantasy Writers Association (SFWA). The latest one begin when a former member began a petition over recent changes to the staff and policy of the organization’s flagship publication, the Bulletin. As a result of the current back and forth between factions, one member — a vocal minority — made the suggestion that the bar for membership should be raised. There’s a lot I could say about the current debate(s) going on, but I want to specifically address the idea of accessibility and diversity.
Hark! Inconsistent blogger has returned with news!
I am pleased to announce that I’ve sold “Aye of the Hagfish” to Goldfish Grimm’s Spicy Fiction Sushi. It should be appearing online early 2014. This will be my second appearance in the magazine (the first being Control, in their debut issue).
I’m down to one story in circulation, and no new short stories finished this year, but for good reason! I finished the first draft, first read-through, and have begun developmental edits on the novel tentatively titled (but almost guaranteed to be renamed) “Black Mirror”.
To be exact, it’s been 783 days since we filed for my Canadian Permanent Residence and I am happy to announce that it is official done. We have just walked out of the Immigration Centre in Windsor, Ontario, Social Insurance Number in hand.
I guess this makes me an expatriate; an American Citizen permanently living abroad, which is kind of cool. I’ve been thinking a lot about getting a tattoo to commemorate the experience.
It should be no surprise to anyone who knows me that the Clarion Writers Workshop is a thing near and dear to me. Attending the six-week workshop in 2010 was a milestone in my writing career. The annual write-a-thon, where writers commit to writing goals and ask friends, family,and strangers to pledge money to go towards funding the workshop.
Saying “please give money” is something I do on very rare occasion, but this is something worthwhile.
I’ve always liked stories about mundane things. Everyday people who might be ignored or worse, shunned — garbage men, teachers, farmers, butchers, prostitutes, factory workers — who find themselves in extraordinary circumstance and rise up to the challenge.
The annals of history are filled with stories of the famous, the successful, the victors. Finding tales about those broke their backs to make a living is harder. It’s not glamorous work. No one does it to become rich or powerful.
For months, we kept the animated film “9” (2009) on the DVR. I kept telling myself that I’d sit down and watch it on the weekend, and inevitably being too distracted to do so. We came home a few nights ago and discovered the DVR had deleted several of the oldest recordings, including 9. That made me sad, because I really did intend on watching it soon. Kind of mad, I fired up Netflix and watched it that night.
Mary Robinette Kowal started a delightful challenge, in 2010, to go correspond via letter for an entire month. That has grown to become A Month of Letters, which runs for the whole of February. During the next month, I and the other 6,000 people who’ve signed up to participate will be writing letters, post cards, and doing other creative things and dropping them into the mail.
I love to write longhand, and this gives me a wonderful reason to do so.
As writers, we fill our toolbox with things that help us in our craft. I’ve been experimenting with a few new things of late, trying to boost my productivity. Two of them in particular are making a difference.
I haven’t been involved in many word wars — timed writing sessions with one or more other writers. Set a short time limit, say 15 or 30 minutes, and write until it’s over.
Part of my new and improved resolve to Finish Things is accountability, and to that end I’ve created a master spreadsheet for the year where I’m tracking my daily writing, good things that happen (h/t Christie Yant), projects I want to work on, and deadlines I’m working towards. It’s not perfect, but it’s a start.
I’m trying to work every day while I’m involved in a project. Writing is, or should be, what I spend the most time on, at least at this stage in my current WIP.